The Musical Quarterly

Articles

Leon Botstein

The Opera Revival
Musical Quarterly 1994 78: 1-8; doi:10.1093/mq/78.1.1 [PDF] [Request Permissions]  

Paul Nauert

Theory and Practice in Porgy and Bess: The Gershwin-Schillinger Connection
Musical Quarterly 1994 78: 9-33; doi:10.1093/mq/78.1.9 [PDF] [Request Permissions]  

William Weber

The Myth of Mozart, the Revolutionary
Musical Quarterly 1994 78: 34-47; doi:10.1093/mq/78.1.34 [PDF] [Request Permissions]  

Daniel Herwitz

The Cook, His Wife, the Philosopher, and the Librettist
Musical Quarterly 1994 78: 48-76; doi:10.1093/mq/78.1.48 [PDF] [Request Permissions]  

Scott Burnham

Mozart's felix culpa: Così fan tutte and the Irony of Beauty
Musical Quarterly 1994 78: 77-98; doi:10.1093/mq/78.1.77 [PDF] [Request Permissions]  

Clifford Hindley

Britten's Billy Budd: The "Interview Chords" Again
Musical Quarterly 1994 78: 99-126; doi:10.1093/mq/78.1.99 [PDF] [Request Permissions]  

Mark Swed

Editor's Introduction to "Synergetic Dynamics in John Cage's Europeras 1 & 2"
Musical Quarterly 1994 78: 127-130; doi:10.1093/mq/78.1.127 [PDF] [Request Permissions]  

Laura D. Kuhn

Synergetic Dynamics in John Cage's Europeras 1 & 2
Musical Quarterly 1994 78: 131-148; doi:10.1093/mq/78.1.131 [PDF] [Request Permissions]  

Neal Zaslaw

The New Grove Dictionary of Opera
Musical Quarterly 1994 78: 149-158; doi:10.1093/mq/78.1.149 [PDF] [Request Permissions]  

Nike Wagner

Bayreuth—?
Musical Quarterly 1994 78: 159-170; doi:10.1093/mq/78.1.159 [PDF] [Request Permissions]  

Owen Jander

The Most Meaningful Single Note in Beethoven's "Scene by the Brook" (A Meditation Inspired by a Misprint)
Musical Quarterly 1994 78: 171-174; doi:10.1093/mq/78.1.171 [PDF] [Request Permissions]  

Contributors to This Issue
Musical Quarterly 1994 78: 175; doi:10.1093/mq/78.1.175 [PDF] [Request Permissions]  

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