Musical Quarterly -- Table of Contents ( 1994, 78 [2])

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Contents: Volume 78, Number 2, 1994 [Index by Author]
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Articles

Leon Botstein: Music, Technology, and the Public
Musical Quarterly 1994 78: 177-188; doi:10.1093/mq/78.2.177 [PDF] [Request Permissions]

Joseph Horowitz: Finding a "Real Self": American Women and the Wagner Cult of the Late Nineteenth Century
Musical Quarterly 1994 78: 189-205; doi:10.1093/mq/78.2.189 [PDF] [Request Permissions]

Carol K. Baron: What Motivated Charles Ives's Search for Time Past
Musical Quarterly 1994 78: 206-219; doi:10.1093/mq/78.2.206 [PDF] [Request Permissions]

Pamela Fox: Rebellious Tradition and Boston's Musical Spirit of Place: Elitism, Populism, and Lives Apart
Musical Quarterly 1994 78: 220-245; doi:10.1093/mq/78.2.220 [PDF] [Request Permissions]

Paul F. Wells: Roots and Revival: Two Recorded Perspectives of American Folk Music
Musical Quarterly 1994 78: 246-254; doi:10.1093/mq/78.2.246 [PDF] [Request Permissions]

Judit Frigyesi: Béla Bartók and the Concept of Nation and Volk in Modern Hungary
Musical Quarterly 1994 78: 255-287; doi:10.1093/mq/78.2.255 [PDF] [Request Permissions]

Mark Swed: Editor's Introduction
Musical Quarterly 1994 78: 288-289; doi:10.1093/mq/78.2.288 [PDF] [Request Permissions]

Derek B. Scott: Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s
Musical Quarterly 1994 78: 290-315; doi:10.1093/mq/78.2.290 [PDF] [Request Permissions]

Thomas Y. Levin and Michael von der Linn: Elements of a Radio Theory: Adorno and the Princeton Radio Research Project
Musical Quarterly 1994 78: 316-324; doi:10.1093/mq/78.2.316 [PDF] [Request Permissions]

Theodor W. Adorno: Analytical Study of the NBC Music Appreciation Hour
Musical Quarterly 1994 78: 325-377; doi:10.1093/mq/78.2.325 [PDF] [Request Permissions]

Theodor W. Adorno: Introduction
Musical Quarterly 1994 78: 326-327; doi:10.1093/mq/78.2.326 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogical and MUsical Analysis
Musical Quarterly 1994 78: 327-335; doi:10.1093/mq/78.2.327 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogy and Musical Analysis: The Procedure from Outside to Inside
Musical Quarterly 1994 78: 329-335; doi:10.1093/mq/78.2.329 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogical and MUsical Analysis: (2) The Pedagocial Procedure
Musical Quarterly 1994 78: 335-339; doi:10.1093/mq/78.2.335 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogy and Musical Analysis: Explanation and Example in the Music Appreciation Hour
Musical Quarterly 1994 78: 339-340; doi:10.1093/mq/78.2.339 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogy and Musical Analysis: The Question of Characteristic Examples and Specific Explanations
Musical Quarterly 1994 78: 340-344; doi:10.1093/mq/78.2.340 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogy and Musical Analysis: Misstatements in the Music Appreciation Hour
Musical Quarterly 1994 78: 344-350; doi:10.1093/mq/78.2.344 [PDF] [Request Permissions]

Theodor W. Adorno: I. Pedagogy and Musical Analysis: The "Background" of the Music Appreciation Hour's Explanations
Musical Quarterly 1994 78: 350-352; doi:10.1093/mq/78.2.350 [PDF] [Request Permissions]

Theodor W. Adorno: The Music Appreciation Hour as Promoter of Musical Pseudo-Culture
Musical Quarterly 1994 78: 352-353; doi:10.1093/mq/78.2.352 [PDF] [Request Permissions]

Theodor W. Adorno: II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE: (1) "Appreciation" and "Fun"
Musical Quarterly 1994 78: 353-358; doi:10.1093/mq/78.2.353 [PDF] [Request Permissions]

Theodor W. Adorno: II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE: (2) Recognition and the Musical Spelling Bee
Musical Quarterly 1994 78: 358-360; doi:10.1093/mq/78.2.358 [PDF] [Request Permissions]

Theodor W. Adorno: II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE: (3) Categories of Musical Babbittry
Musical Quarterly 1994 78: 360-370; doi:10.1093/mq/78.2.360 [PDF] [Request Permissions]

Theodor W. Adorno: II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE: (4) The "Tests"
Musical Quarterly 1994 78: 370-373; doi:10.1093/mq/78.2.370 [PDF] [Request Permissions]

Theodor W. Adorno: Notes
Musical Quarterly 1994 78: 373-376; doi:10.1093/mq/78.2.373 [PDF] [Request Permissions]

Colin Sample: Adorno on the Musical Language of Beethoven
Musical Quarterly 1994 78: 378-394; doi:10.1093/mq/78.2.378 [PDF] [Request Permissions]

Adrienne Fried Block: A "Veritable Autobiography"? Amy Beach's Piano Concerto in C-sharp Minor, op. 45
Musical Quarterly 1994 78: 394-416; doi:10.1093/mq/78.2.394 [PDF] [Request Permissions]

Howard Brofsky: Letter to the Editor
Musical Quarterly 1994 78: 417; doi:10.1093/mq/78.2.417 [PDF] [Request Permissions]

: Contributors to This Issue
Musical Quarterly 1994 78: 418-419; doi:10.1093/mq/78.2.418 [PDF] [Request Permissions]

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