The Musical Quarterly

Articles

Leon Botstein

Toward a History of Listening
Musical Quarterly 1998 82: 427-431; doi:10.1093/mq/82.3-4.427 [PDF] [Request Permissions]  

Rob C. Wegman

Music as Heard: Listeners and Listening in Late-Medieval and Early Modern Europe (1300–1600)
Musical Quarterly 1998 82: 432-433; doi:10.1093/mq/82.3-4.432 [PDF] [Request Permissions]  

Rob C. Wegman

"Das Musikalische Hören" in the Middle Ages and Renaissance: Perspectives from Pre-War Germany
Musical Quarterly 1998 82: 434-454; doi:10.1093/mq/82.3-4.434 [PDF] [Request Permissions]  

Shai Burstyn

Pre-1600 Music Listening: A Methodological Approach
Musical Quarterly 1998 82: 455-465; doi:10.1093/mq/82.3-4.455 [PDF] [Request Permissions]  

Sarah Fuller

"Delectabatur in hoc auris": Some Fourteenth-Century Perspectives on Aural Perception
Musical Quarterly 1998 82: 466-481; doi:10.1093/mq/82.3-4.466 [PDF] [Request Permissions]  

Cristle Collins Judd

Musical Commonplace Books, Writing Theory, and "Silent Listening": The Polyphonic Examples of the Dodecachordon
Musical Quarterly 1998 82: 482-516; doi:10.1093/mq/82.3-4.482 [PDF] [Request Permissions]  

Timothy R. McKinney

Hearing in the Sixth Sense
Musical Quarterly 1998 82: 517-536; doi:10.1093/mq/82.3-4.517 [PDF] [Request Permissions]  

Robert Nosow

Song and the Art of Dying
Musical Quarterly 1998 82: 537-550; doi:10.1093/mq/82.3-4.537 [PDF] [Request Permissions]  

Grayson Wagstaff

Music for the Dead and the Control of Ritual Behavior in Spain, 1450–1550
Musical Quarterly 1998 82: 551-563; doi:10.1093/mq/82.3-4.551 [PDF] [Request Permissions]  

Richard Freedman

The Lassus Chansons and Their Protestant Listeners of the Late Sixteenth Century
Musical Quarterly 1998 82: 564-585; doi:10.1093/mq/82.3-4.564 [PDF] [Request Permissions]  

Todd Borgerding

Preachers, Pronunciatio, and Music: Hearing Rhetoric in Renaissance Sacred Polyphony
Musical Quarterly 1998 82: 586-598; doi:10.1093/mq/82.3-4.586 [PDF] [Request Permissions]  

Paul D. Wiebe

Music, the Emblematic, and "The Mystery of Holy Matrimony"
Musical Quarterly 1998 82: 599-613; doi:10.1093/mq/82.3-4.599 [PDF] [Request Permissions]  

Linda Phyllis Austern

"For, Love's a Good Musician": Performance, Audition, and Erotic Disorders in Early Modern Europe
Musical Quarterly 1998 82: 614-653; doi:10.1093/mq/82.3-4.614 [PDF] [Request Permissions]  

Louise K. Stein

Eros, Erato, Terpsíchore and the Hearing of Music in Early Modern Spain
Musical Quarterly 1998 82: 654-677; doi:10.1093/mq/82.3-4.654 [PDF] [Request Permissions]  

Kate van Orden

An Erotic Metaphysics of Hearing in Early Modern France
Musical Quarterly 1998 82: 678-691; doi:10.1093/mq/82.3-4.678 [PDF] [Request Permissions]  

Contributors to This Issue
Musical Quarterly 1998 82: 692-693; doi:10.1093/mq/82.3-4.692 [PDF] [Request Permissions]  

Subject and Author Index to Volume 82
Musical Quarterly 1998 82: 694-698; doi:10.1093/mq/82.3-4.694 [PDF] [Request Permissions]  

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