Musical Quarterly -- Table of Contents ( 2000, 84 [4])

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Contents: Volume 84, Number 4, 2000 [Index by Author]
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Articles

Leon Botstein: Memory and Nostalgia as Music-Historical Categories
Musical Quarterly 2000 84: 531-536; doi:10.1093/mq/84.4.531 [PDF] [Request Permissions]

Jeffrey Magee: Irving Berlin's "Blue Skies": Ethnic Affiliations and Musical Transformations
Musical Quarterly 2000 84: 537-580; doi:10.1093/mq/84.4.537 [PDF] [Request Permissions]

Walter Frisch: Memory and Schubert's Instrumental Music
Musical Quarterly 2000 84: 581; doi:10.1093/mq/84.4.581 [PDF] [Request Permissions]

Walter Frisch: "You Must Remember This": Memory and Structure in Schubert's String Quartet in G Major, D. 887
Musical Quarterly 2000 84: 582-603; doi:10.1093/mq/84.4.582 [PDF] [Request Permissions]

John Daverio: "One More Beautiful Memory of Schubert": Schumann s Critique of the Impromptus, D. 935
Musical Quarterly 2000 84: 604-618; doi:10.1093/mq/84.4.604 [PDF] [Request Permissions]

John M. Gingerich: Remembrance and Consciousness in Schubert's C-Major String Quintet, D.956
Musical Quarterly 2000 84: 619-634; doi:10.1093/mq/84.4.619 [PDF] [Request Permissions]

Charles Fisk: Schubert Recollects Himself: The Piano Sonata in C Minor, D. 958
Musical Quarterly 2000 84: 635-654; doi:10.1093/mq/84.4.635 [PDF] [Request Permissions]

Scott Burnham: Schubert and the Sound of Memory
Musical Quarterly 2000 84: 655-663; doi:10.1093/mq/84.4.655 [PDF] [Request Permissions]

Teresa Davidian: From Crawford to Cage: Parallels and Transformations
Musical Quarterly 2000 84: 664-695; doi:10.1093/mq/84.4.664 [PDF] [Request Permissions]

Hans Jörg Jans: Behind the Scenes: Composer Institutes and the Semblance of Censorship
Musical Quarterly 2000 84: 696-704; doi:10.1093/mq/84.4.696 [PDF] [Request Permissions]

Kim H. Kowalke: A Reply to Hans Jörg Jans
Musical Quarterly 2000 84: 705-710; doi:10.1093/mq/84.4.705 [PDF] [Request Permissions]

Michael H. Kater: In Answer to Hans Jörg Jans
Musical Quarterly 2000 84: 711-712; doi:10.1093/mq/84.4.711 [PDF] [Request Permissions]

Mark Mazullo: The Man Whom the World Sold: Kurt Cobain, Rock's Progressive Aesthetic, and the Challenges of Authenticity
Musical Quarterly 2000 84: 713-749; doi:10.1093/mq/84.4.713 [PDF] [Request Permissions]

Greil Marcus: Comment on Mark Mazullo, "The Man Whom the World Sold"
Musical Quarterly 2000 84: 750-753; doi:10.1093/mq/84.4.750 [PDF] [Request Permissions]

Mark Mazullo: Response to Greil Marcus
Musical Quarterly 2000 84: 754-755; doi:10.1093/mq/84.4.754 [PDF] [Request Permissions]

Peter Williams: Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach
Musical Quarterly 2000 84: 756-775; doi:10.1093/mq/84.4.756 [PDF] [Request Permissions]

: Contributors to This Issue
Musical Quarterly 2000 84: 776-777; doi:10.1093/mq/84.4.776 [PDF] [Request Permissions]

: Index to Volume 84
Musical Quarterly 2000 84: 778-783; doi:10.1093/mq/84.4.778 [PDF] [Request Permissions]

The Musical Quarterly

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