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<title>: Most-Cited Full-Text Articles</title>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/80/2/194?rss=1&amp;ssource=mfc">
<title><![CDATA[Life and Work in Symphony Orchestras]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/80/2/194?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jutta Allmendinger, J. Richard Hackman, Erin V. Lehman<br />Jan  1, 1996; 80:194-219<br />Articles]]></description>
<dc:creator>Jutta Allmendinger, J. Richard Hackman, Erin V. Lehman</dc:creator>
<dc:date>1996-01-01</dc:date>
<dc:identifier>10.1093/mq/80.2.194</dc:identifier>
<dc:title><![CDATA[Life and Work in Symphony Orchestras]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/79/1/131?rss=1&amp;ssource=mfc">
<title><![CDATA[Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877-1925]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/79/1/131?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Emily Thompson<br />Jan  1, 1995; 79:131-171<br />Articles]]></description>
<dc:creator>Emily Thompson</dc:creator>
<dc:date>1995-01-01</dc:date>
<dc:identifier>10.1093/mq/79.1.131</dc:identifier>
<dc:title><![CDATA[Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877-1925]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/81/2/242?rss=1&amp;ssource=mfc">
<title><![CDATA[Defining Phonography: An Experiment in Theory]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/81/2/242?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Eric W. Rothenbuhler, John Durham Peters<br />Jan  1, 1997; 81:242-243<br />Articles]]></description>
<dc:creator>Eric W. Rothenbuhler, John Durham Peters</dc:creator>
<dc:date>1997-01-01</dc:date>
<dc:identifier>10.1093/mq/81.2.242</dc:identifier>
<dc:title><![CDATA[Defining Phonography: An Experiment in Theory]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/82/3-4/434?rss=1&amp;ssource=mfc">
<title><![CDATA["Das Musikalische Horen" in the Middle Ages and Renaissance: Perspectives from Pre-War Germany]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/82/3-4/434?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Rob C. Wegman<br />Jan  1, 1998; 82:434-454<br />Articles]]></description>
<dc:creator>Rob C. Wegman</dc:creator>
<dc:date>1998-01-01</dc:date>
<dc:identifier>10.1093/mq/82.3-4.434</dc:identifier>
<dc:title><![CDATA["Das Musikalische Horen" in the Middle Ages and Renaissance: Perspectives from Pre-War Germany]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[The Concept of Musical Syntax]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/79/2/281?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Joseph P. Swain<br />Feb  1, 1995; 79:281-308<br />Articles]]></description>
<dc:creator>Joseph P. Swain</dc:creator>
<dc:date>1995-02-01</dc:date>
<dc:identifier>10.1093/mq/79.2.281</dc:identifier>
<dc:title><![CDATA[The Concept of Musical Syntax]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/79/1/207?rss=1&amp;ssource=mfc">
<title><![CDATA[Conversation with Witold Lutostawski]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/79/1/207?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Douglas Rust<br />Jan  1, 1995; 79:207-223<br />Articles]]></description>
<dc:creator>Douglas Rust</dc:creator>
<dc:date>1995-01-01</dc:date>
<dc:identifier>10.1093/mq/79.1.207</dc:identifier>
<dc:title><![CDATA[Conversation with Witold Lutostawski]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/79/1/172?rss=1&amp;ssource=mfc">
<title><![CDATA[Ellington, Rap Music, and Cultural Difference]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/79/1/172?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Paul A. Anderson<br />Jan  1, 1995; 79:172-206<br />Articles]]></description>
<dc:creator>Paul A. Anderson</dc:creator>
<dc:date>1995-01-01</dc:date>
<dc:identifier>10.1093/mq/79.1.172</dc:identifier>
<dc:title><![CDATA[Ellington, Rap Music, and Cultural Difference]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/78/4/774?rss=1&amp;ssource=mfc">
<title><![CDATA[The Politics and Practice of "Crossover" in American Popular Music, 1963 to 1965]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/78/4/774?rss=1&amp;ssource=mfc</link>
<description><![CDATA[David Brackett<br />Apr  1, 1994; 78:774-797<br />Articles]]></description>
<dc:creator>David Brackett</dc:creator>
<dc:date>1994-04-01</dc:date>
<dc:identifier>10.1093/mq/78.4.774</dc:identifier>
<dc:title><![CDATA[The Politics and Practice of "Crossover" in American Popular Music, 1963 to 1965]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/78/2/325?rss=1&amp;ssource=mfc">
<title><![CDATA[Analytical Study of the NBC Music Appreciation Hour]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/78/2/325?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Theodor W. Adorno<br />Feb  1, 1994; 78:325-377<br />Articles]]></description>
<dc:creator>Theodor W. Adorno</dc:creator>
<dc:date>1994-02-01</dc:date>
<dc:identifier>10.1093/mq/78.2.325</dc:identifier>
<dc:title><![CDATA[Analytical Study of the NBC Music Appreciation Hour]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/77/4/727?rss=1&amp;ssource=mfc">
<title><![CDATA[Memory and Gender in the Remaking of Fanny Mendelssohn's Musical Identity: The Chorale in Das Jahr]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/77/4/727?rss=1&amp;ssource=mfc</link>
<description><![CDATA[John E. Toews<br />Apr  1, 1993; 77:727-748<br />Articles]]></description>
<dc:creator>John E. Toews</dc:creator>
<dc:date>1993-04-01</dc:date>
<dc:identifier>10.1093/mq/77.4.727</dc:identifier>
<dc:title><![CDATA[Memory and Gender in the Remaking of Fanny Mendelssohn's Musical Identity: The Chorale in Das Jahr]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/77/4/607?rss=1&amp;ssource=mfc">
<title><![CDATA[Secrets of Melody: Line and Design in the Songs of Cole Porter]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/77/4/607?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Allen Forte<br />Apr  1, 1993; 77:607-647<br />Articles]]></description>
<dc:creator>Allen Forte</dc:creator>
<dc:date>1993-04-01</dc:date>
<dc:identifier>10.1093/mq/77.4.607</dc:identifier>
<dc:title><![CDATA[Secrets of Melody: Line and Design in the Songs of Cole Porter]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/77/3/401?rss=1&amp;ssource=mfc">
<title><![CDATA[Music, Language, and Composition]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/77/3/401?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Theodor W. Adorno, Susan Gillespie<br />Mar  1, 1993; 77:401-414<br />Articles]]></description>
<dc:creator>Theodor W. Adorno, Susan Gillespie</dc:creator>
<dc:date>1993-03-01</dc:date>
<dc:identifier>10.1093/mq/77.3.401</dc:identifier>
<dc:title><![CDATA[Music, Language, and Composition]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/77/3/397?rss=1&amp;ssource=mfc">
<title><![CDATA[Introduction: Music, Language, and Culture]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/77/3/397?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Michael P. Steinberg<br />Mar  1, 1993; 77:397-400<br />Articles]]></description>
<dc:creator>Michael P. Steinberg</dc:creator>
<dc:date>1993-03-01</dc:date>
<dc:identifier>10.1093/mq/77.3.397</dc:identifier>
<dc:title><![CDATA[Introduction: Music, Language, and Culture]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/74/3/411?rss=1&amp;ssource=mfc">
<title><![CDATA[Economic and Transmission Factors as Essential Elements in the Definition of Folk, Art, and Pop Music]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/74/3/411?rss=1&amp;ssource=mfc</link>
<description><![CDATA[GREGORY D. BOOTH, TERRY LEE KUHN<br />Mar  1, 1990; 74:411-438<br />Articles]]></description>
<dc:creator>GREGORY D. BOOTH, TERRY LEE KUHN</dc:creator>
<dc:date>1990-03-01</dc:date>
<dc:identifier>10.1093/mq/74.3.411</dc:identifier>
<dc:title><![CDATA[Economic and Transmission Factors as Essential Elements in the Definition of Folk, Art, and Pop Music]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/74/1/31?rss=1&amp;ssource=mfc">
<title><![CDATA[Moods, Madness, and Music. II. Was Handel Insane?]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/74/1/31?rss=1&amp;ssource=mfc</link>
<description><![CDATA[WILLIAM A. FROSCH<br />Jan  1, 1990; 74:31-56<br />Articles]]></description>
<dc:creator>WILLIAM A. FROSCH</dc:creator>
<dc:date>1990-01-01</dc:date>
<dc:identifier>10.1093/mq/74.1.31</dc:identifier>
<dc:title><![CDATA[Moods, Madness, and Music. II. Was Handel Insane?]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/XV/4/606?rss=1&amp;ssource=mfc">
<title><![CDATA[JAZZ--DEBIT AND CREDIT]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/XV/4/606?rss=1&amp;ssource=mfc</link>
<description><![CDATA[PAUL FRITZ LAUBENSTEIN<br />Oct  1, 1929; 15:606-624<br />Articles]]></description>
<dc:creator>PAUL FRITZ LAUBENSTEIN</dc:creator>
<dc:date>1929-10-01</dc:date>
<dc:identifier>10.1093/mq/XV.4.606</dc:identifier>
<dc:title><![CDATA[JAZZ--DEBIT AND CREDIT]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/80/2/332?rss=1&amp;ssource=mfc">
<title><![CDATA[Technological Innovations in Nineteenth-Century Instrument Making and Their Consequences]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/80/2/332?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Christian Ahrens, Irene Zedlacher<br />Jan  1, 1996; 80:332-340<br />Articles]]></description>
<dc:creator>Christian Ahrens, Irene Zedlacher</dc:creator>
<dc:date>1996-01-01</dc:date>
<dc:identifier>10.1093/mq/80.2.332</dc:identifier>
<dc:title><![CDATA[Technological Innovations in Nineteenth-Century Instrument Making and Their Consequences]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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