: Most-Read Full-Text Articles http://mq.oxfordjournals.org/ Most-read rankings are recalculated at the beginning of the month based on usage of full-text and PDF views for the previous month. 2009-11-14 <![CDATA[Cage, Cunningham, and Collaborators: The Odyssey of Variations V]]> http://mq.oxfordjournals.org/cgi/content/short/85/3/545?rss=1&ssource=mfc Jan 1, 2001; 85:545-567
Articles]]> Leta E. Miller 2001-01-01 10.1093/musqtl/85.3.545 Oxford University Press <![CDATA[The Man Whom the World Sold: Kurt Cobain, Rock's Progressive Aesthetic, and the Challenges of Authenticity]]> http://mq.oxfordjournals.org/cgi/content/short/84/4/713?rss=1&ssource=mfc Jan 1, 2000; 84:713-749
Articles]]> Mark Mazullo 2000-01-01 10.1093/mq/84.4.713 Oxford University Press <![CDATA["La Habana no aguanta mas": Regionalism in Contemporary Cuban Society and Dance Music]]> http://mq.oxfordjournals.org/cgi/content/short/gdp014v1?rss=1&ssource=mfc Oct 6, 2009; 0:141-14
]]> Rebecca Bodenheimer 2009-10-06 Oxford University Press <![CDATA[Mendelssohn as Jew: Revisiting Controversy on the Occasion of the Composer's 200th Birthday]]> http://mq.oxfordjournals.org/cgi/content/short/92/1-2/1?rss=1&ssource=mfc Mar 1, 2009; 92:1-8
Notes from the Editor]]> Leon Botstein 2009-03-01 Oxford University Press <![CDATA[Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade]]> http://mq.oxfordjournals.org/cgi/content/short/85/1/1?rss=1&ssource=mfc Jan 1, 2001; 85:1-52
Articles]]> Guthrie P. Ramsey Jr. 2001-01-01 10.1093/musqtl/85.1.1 Oxford University Press <![CDATA[Alberto Ginastera, Argentine Cultural Construction, and the Gauchesco Tradition]]> http://mq.oxfordjournals.org/cgi/content/short/86/2/248?rss=1&ssource=mfc Jun 1, 2002; 86:248-281
Articles]]> Deborah Schwartz-Kates 2002-06-01 10.1093/musqtl/gdg009 Oxford University Press <![CDATA[On Deafness and Musical Creativity: The Case of Ethel Smyth]]> http://mq.oxfordjournals.org/cgi/content/short/92/1-2/33?rss=1&ssource=mfc Mar 1, 2009; 92:33-69
Music and Culture]]> Elizabeth Wood 2009-03-01 Oxford University Press <![CDATA["The Moment That I Dreaded and Hoped For": Ambivalence and Order in Bernard Herrmann's Score for Vertigo]]> http://mq.oxfordjournals.org/cgi/content/short/85/3/516?rss=1&ssource=mfc Jan 1, 2001; 85:516-544
Articles]]> Antony John 2001-01-01 10.1093/musqtl/85.3.516 Oxford University Press <![CDATA[Modernism at the Movies: The Cabinet of Dr. Caligari and a Film Score Revisited]]> http://mq.oxfordjournals.org/cgi/content/short/88/1/63?rss=1&ssource=mfc Jan 1, 2005; 88:63-94
The Twentieth Century and Beyond and Texts and Contexts]]> Julie Hubbert 2005-01-01 Oxford University Press <![CDATA[Copland's Music of Wide Open Spaces: Surveying the Pastoral Trope in Hollywood]]> http://mq.oxfordjournals.org/cgi/content/short/85/3/477?rss=1&ssource=mfc Jan 1, 2001; 85:477-515
Articles]]> Neil Lerner 2001-01-01 10.1093/musqtl/85.3.477 Oxford University Press <![CDATA[Scoring Incredible Futures: Science-Fiction Screen Music, and "Postmodernism" as Romantic Epiphany]]> http://mq.oxfordjournals.org/cgi/content/short/91/3-4/240?rss=1&ssource=mfc Sep 1, 2008; 91:240-274
Music and Culture]]> Jeremy Barham 2008-09-01 Oxford University Press <![CDATA[Why Music Matters]]> http://mq.oxfordjournals.org/cgi/content/short/87/2/177?rss=1&ssource=mfc Jun 1, 2004; 87:177-187
Articles]]> Leon Botstein 2004-06-01 10.1093/musqtl/gdh008 Oxford University Press <![CDATA[What Is "Nazi Music"?]]> http://mq.oxfordjournals.org/cgi/content/short/88/3/428?rss=1&ssource=mfc Jan 1, 2005; 88:428-455
The Twentieth Century and Beyond and Institutions, Technology, and Economics]]> Pamela M. Potter 2005-01-01 Oxford University Press <![CDATA[Who Died? The Funeral March in Beethoven's Eroica Symphony]]> http://mq.oxfordjournals.org/cgi/content/short/gdk010v1?rss=1&ssource=mfc Jan 1, 2006; 89:62-79
Music and Culture]]> Rita Steblin 2006-01-01 Oxford University Press <![CDATA[Norman Rockwell's Shuffleton's Barbershop: A Musical-Iconographical Riddle]]> http://mq.oxfordjournals.org/cgi/content/short/90/1/6?rss=1&ssource=mfc Mar 1, 2007; 90:6-42
American Musics and Music and Culture]]> Blake Howe 2007-03-01 Oxford University Press <![CDATA[Cultural Uplift and Double-Consciousness: African American Responses to the 1935 Opera Porgy and Bess]]> http://mq.oxfordjournals.org/cgi/content/short/88/3/342?rss=1&ssource=mfc Jan 1, 2005; 88:342-369
American Musics]]> Ray Allen, George P. Cunningham 2005-01-01 Oxford University Press <![CDATA["Something Slightly Indecent": British Composers, the European Avant-garde, and National Stereotypes in the 1950s]]> http://mq.oxfordjournals.org/cgi/content/short/91/3-4/275?rss=1&ssource=mfc Sep 1, 2008; 91:275-326
The Twentieth Century and Beyond]]> Philip Rupprecht 2008-09-01 Oxford University Press <![CDATA["The Blues Get Glorified": Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz]]> http://mq.oxfordjournals.org/cgi/content/short/90/3-4/319?rss=1&ssource=mfc Sep 1, 2007; 90:319-370
American Musics]]> John Howland 2007-09-01 Oxford University Press <![CDATA[Illustrating Transcendence: Parsifal, Franz Stassen, and the Leitmotif]]> http://mq.oxfordjournals.org/cgi/content/short/92/1-2/9?rss=1&ssource=mfc Mar 1, 2009; 92:9-32
Music and Culture]]> Stephen C. Meyer 2009-03-01 Oxford University Press <![CDATA[Dancing around the Subject: Race in Country Fan Culture]]> http://mq.oxfordjournals.org/cgi/content/short/89/4/555?rss=1&ssource=mfc Jan 1, 2006; 89:555-579
Articles]]> Jocelyn R. Neal 2006-01-01 Oxford University Press <![CDATA[Aaron Copland, Nadia Boulanger, and the Making of an "American" Composer]]> http://mq.oxfordjournals.org/cgi/content/short/89/4/524?rss=1&ssource=mfc Jan 1, 2006; 89:524-554
Articles]]> Annegret Fauser 2006-01-01 Oxford University Press <![CDATA[Music in History: The Perils of Method in Reception History]]> http://mq.oxfordjournals.org/cgi/content/short/89/1/1?rss=1&ssource=mfc Jan 1, 2006; 89:1-16
Notes from the Editor]]> Leon Botstein 2006-01-01 Oxford University Press <![CDATA[Machines, Music, and the Quest for Fidelity: Marketing the Edison Phonograph in America, 1877-1925]]> http://mq.oxfordjournals.org/cgi/content/short/79/1/131?rss=1&ssource=mfc Jan 1, 1995; 79:131-171
Articles]]> Emily Thompson 1995-01-01 10.1093/mq/79.1.131 Oxford University Press <![CDATA[Duets for One: Louis Armstrong's Vocal Recordings]]> http://mq.oxfordjournals.org/cgi/content/short/87/2/188?rss=1&ssource=mfc Jun 1, 2004; 87:188-218
Articles]]> Benjamin Givan 2004-06-01 10.1093/musqtl/gdh009 Oxford University Press <![CDATA[Stylistic Reconstructions in Liszt's Late Arrangements]]> http://mq.oxfordjournals.org/cgi/content/short/91/3-4/200?rss=1&ssource=mfc Sep 1, 2008; 91:200-239
Music and Culture]]> Jonathan Kregor 2008-09-01 Oxford University Press <![CDATA[John Cage: Silence and Silencing]]> http://mq.oxfordjournals.org/cgi/content/short/81/4/556?rss=1&ssource=mfc Jan 1, 1997; 81:556-598
Articles]]> Douglas Kahn 1997-01-01 10.1093/mq/81.4.556 Oxford University Press <![CDATA[Irving Berlin's "Blue Skies": Ethnic Affiliations and Musical Transformations]]> http://mq.oxfordjournals.org/cgi/content/short/84/4/537?rss=1&ssource=mfc Jan 1, 2000; 84:537-580
Articles]]> Jeffrey Magee 2000-01-01 10.1093/mq/84.4.537 Oxford University Press <![CDATA[Repeat with Caution: A Dilemma of the First Movement of Chopin's Sonata op. 35]]> http://mq.oxfordjournals.org/cgi/content/short/85/3/568?rss=1&ssource=mfc Jan 1, 2001; 85:568-582
Articles]]> Anatole Leikin 2001-01-01 10.1093/musqtl/85.3.568 Oxford University Press <![CDATA[Messiaen, Jolivet, and the Soldier-Composers of Wartime France]]> http://mq.oxfordjournals.org/cgi/content/short/87/2/259?rss=1&ssource=mfc Jun 1, 2004; 87:259-304
Articles]]> Leslie A. Sprout 2004-06-01 10.1093/musqtl/gdh012 Oxford University Press <![CDATA["Ich bin der Welt abhanden gekommen": Mahler's Ruckert Setting and the Aesthetics of Integration in the Fifth Symphony]]> http://mq.oxfordjournals.org/cgi/content/short/88/2/232?rss=1&ssource=mfc Jan 1, 2005; 88:232-273
The Twentieth Century and Beyond]]> William Kinderman 2005-01-01 Oxford University Press <![CDATA[In Beethoven's Clock Shop: Discontinuity in the Opus 18 Quartets]]> http://mq.oxfordjournals.org/cgi/content/short/88/2/320?rss=1&ssource=mfc Jan 1, 2005; 88:320-337
Texts and Contexts]]> Barbara Barry 2005-01-01 Oxford University Press <![CDATA[Elliott Carter: An Appreciation]]> http://mq.oxfordjournals.org/cgi/content/short/91/3-4/151?rss=1&ssource=mfc Sep 1, 2008; 91:151-157
Notes from the Editor]]> Leon Botstein 2008-09-01 Oxford University Press <![CDATA[The Origins of the Musical Staff]]> http://mq.oxfordjournals.org/cgi/content/short/91/3-4/327?rss=1&ssource=mfc Sep 1, 2008; 91:327-378
Institutions, Technology, and Economics]]> John Haines 2008-09-01 Oxford University Press <![CDATA[Mario de Andrade, Mentor: Modernism and Musical Aesthetics in Brazil, 1920-1945]]> http://mq.oxfordjournals.org/cgi/content/short/88/1/7?rss=1&ssource=mfc Jan 1, 2005; 88:7-34
American Musics]]> Sarah Hamilton-Tyrrell 2005-01-01 Oxford University Press <![CDATA[Bitter Rituals for a Lost Nation: Partch's Revelation in the Courthouse Park and Bernstein's Mass]]> http://mq.oxfordjournals.org/cgi/content/short/80/3/461?rss=1&ssource=mfc Jan 1, 1996; 80:461-499
Articles]]> W.Anthony Sheppard 1996-01-01 10.1093/mq/80.3.461 Oxford University Press <![CDATA[Serialism in the Early Music of Aaron Copland]]> http://mq.oxfordjournals.org/cgi/content/short/90/2/176?rss=1&ssource=mfc Jun 1, 2007; 90:176-196
American Musics]]> Bryan R. Simms 2007-06-01 Oxford University Press <![CDATA[The Topos of the Guitar in Late Nineteenth- and Early Twentieth-Century Argentina]]> http://mq.oxfordjournals.org/cgi/content/short/gdp016v1?rss=1&ssource=mfc Oct 6, 2009; 0:161-16
]]> Melanie Plesch 2009-10-06 Oxford University Press <![CDATA[Reading Shakespeare, Seeing Mendelssohn: Concert Readings of A Midsummer Night's Dream, ca. 1850-1920]]> http://mq.oxfordjournals.org/cgi/content/short/89/2-3/199?rss=1&ssource=mfc Jan 1, 2006; 89:199-236
Music and Culture]]> Marian Wilson Kimber 2006-01-01 Oxford University Press <![CDATA[J. S. Bach's Concerto Ritornellos and the Question of Invention]]> http://mq.oxfordjournals.org/cgi/content/short/LXXI/3/327?rss=1&ssource=mfc Mar 1, 1985; 71:327-358
Articles]]> LAURENCE DREYFUS 1985-03-01 10.1093/mq/LXXI.3.327 Oxford University Press <![CDATA[Orientalism and Musical Style]]> http://mq.oxfordjournals.org/cgi/content/short/82/2/309?rss=1&ssource=mfc Jan 1, 1998; 82:309-335
Articles]]> Derek B. Scott 1998-01-01 10.1093/mq/82.2.309 Oxford University Press <![CDATA[Samuel Barber, Jean Sibelius, and the Making of an American Romantic]]> http://mq.oxfordjournals.org/cgi/content/short/84/2/175?rss=1&ssource=mfc Jan 1, 2000; 84:175-205
Articles]]> Howard Pollack 2000-01-01 10.1093/mq/84.2.175 Oxford University Press <![CDATA[The Oxford History of Western Music: An Appreciation]]> http://mq.oxfordjournals.org/cgi/content/short/87/3/359?rss=1&ssource=mfc Jan 1, 2004; 87:359-369
Articles]]> Leon Botstein 2004-01-01 10.1093/musqtl/gdh030 Oxford University Press <![CDATA[Pergolesi's Stabat Mater and the Politics of Feminine Virtue]]> http://mq.oxfordjournals.org/cgi/content/short/87/3/570?rss=1&ssource=mfc Jan 1, 2004; 87:570-614
Articles]]> Richard Will 2004-01-01 10.1093/musqtl/gdh021 Oxford University Press <![CDATA[Men, Women, and Turntables: Gender and the DJ Battle]]> http://mq.oxfordjournals.org/cgi/content/short/89/4/580?rss=1&ssource=mfc Jan 1, 2006; 89:580-599
Articles]]> Mark Katz 2006-01-01 Oxford University Press <![CDATA[Modernity ala mode: Popular Culture and Avant-Gardism in Erik Satie's Sports et divertissements]]> http://mq.oxfordjournals.org/cgi/content/short/83/3/430?rss=1&ssource=mfc Jan 1, 1999; 83:430-473
Articles]]> Mary E. Davis 1999-01-01 10.1093/mq/83.3.430 Oxford University Press <![CDATA[Remembrance and Consciousness in Schubert's C-Major String Quintet, D.956]]> http://mq.oxfordjournals.org/cgi/content/short/84/4/619?rss=1&ssource=mfc Jan 1, 2000; 84:619-634
Articles]]> John M. Gingerich 2000-01-01 10.1093/mq/84.4.619 Oxford University Press <![CDATA[High, "Low," and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction]]> http://mq.oxfordjournals.org/cgi/content/short/86/3/472?rss=1&ssource=mfc Sep 1, 2002; 86:472-507
Articles]]> Jeremy Grimshaw 2002-09-01 10.1093/musqtl/gdg019 Oxford University Press <![CDATA[Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934]]> http://mq.oxfordjournals.org/cgi/content/short/91/1-2/8?rss=1&ssource=mfc Mar 1, 2008; 91:8-38
British Modernism]]> Charles Edward McGuire 2008-03-01 Oxford University Press <![CDATA[Aus Italien: Retracing Strauss's Journeys]]> http://mq.oxfordjournals.org/cgi/content/short/92/1-2/70?rss=1&ssource=mfc Mar 1, 2009; 92:70-117
The Twentieth Century and Beyond]]> David Larkin 2009-03-01 Oxford University Press <![CDATA[Crossing Boundaries in Music and Musical Scholarship: A Perspective from Ethnomusicology]]> http://mq.oxfordjournals.org/cgi/content/short/80/1/13?rss=1&ssource=mfc Jan 1, 1996; 80:13-30
Articles]]> Kay Kaufman Shelemay 1996-01-01 10.1093/mq/80.1.13 Oxford University Press