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<dc:title><![CDATA[In Search of Quality: George Colburn, George Kleine, and the Film Score for Antony and Cleopatra (1914)]]></dc:title>
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<dc:title><![CDATA[Stylistic Reconstructions in Liszt's Late Arrangements]]></dc:title>
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<dc:title><![CDATA["Something Slightly Indecent": British Composers, the European Avant-garde, and National Stereotypes in the 1950s]]></dc:title>
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<title><![CDATA[The Origins of the Musical Staff]]></title>
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<dc:title><![CDATA[The Origins of the Musical Staff]]></dc:title>
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<title><![CDATA[Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich]]></title>
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<dc:title><![CDATA[Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich]]></dc:title>
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<title><![CDATA[Foreword]]></title>
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<dc:creator><![CDATA[Adams, B.]]></dc:creator>
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<dc:title><![CDATA[Foreword]]></dc:title>
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<title><![CDATA[Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934]]></title>
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<dc:creator><![CDATA[McGuire, C. E.]]></dc:creator>
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<dc:title><![CDATA[Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934]]></dc:title>
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<title><![CDATA["It's Not Lambkins Frisking At All": English Pastoral Music and the Great War]]></title>
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<dc:creator><![CDATA[Saylor, E.]]></dc:creator>
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<dc:title><![CDATA["It's Not Lambkins Frisking At All": English Pastoral Music and the Great War]]></dc:title>
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<prism:number>1-2</prism:number>
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<title><![CDATA[Modernist Rifts in a Pastoral Landscape: Observations on the Manuscripts of Vaughan Williams's Fourth Symphony]]></title>
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<dc:creator><![CDATA[Barone, A.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/musqtl/gdn029</dc:identifier>
<dc:title><![CDATA[Modernist Rifts in a Pastoral Landscape: Observations on the Manuscripts of Vaughan Williams's Fourth Symphony]]></dc:title>
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<prism:number>1-2</prism:number>
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<title><![CDATA[The Parataxis of "British Musical Modernism"]]></title>
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<dc:creator><![CDATA[Doctor, J.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/musqtl/gdn031</dc:identifier>
<dc:title><![CDATA[The Parataxis of "British Musical Modernism"]]></dc:title>
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<title><![CDATA[Music, Ice, and the "Geometry of Fear": The Landscapes of Vaughan Williams's Sinfonia Antartica]]></title>
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<dc:creator><![CDATA[Grimley, D. M.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/musqtl/gdn027</dc:identifier>
<dc:title><![CDATA[Music, Ice, and the "Geometry of Fear": The Landscapes of Vaughan Williams's Sinfonia Antartica]]></dc:title>
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<prism:number>1-2</prism:number>
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<title><![CDATA[Reinventing Life and Career: The Perils of Emigration]]></title>
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<dc:creator><![CDATA[Botstein, L.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/musqtl/gdn024</dc:identifier>
<dc:title><![CDATA[Reinventing Life and Career: The Perils of Emigration]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
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<title><![CDATA["The Blues Get Glorified": Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz]]></title>
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<dc:creator><![CDATA[Howland, J.]]></dc:creator>
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<dc:title><![CDATA["The Blues Get Glorified": Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz]]></dc:title>
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<title><![CDATA[Unacknowledged Exoticism in Debussy: The Incidental Music for Le martyre de saint Sebastien (1911)]]></title>
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<dc:creator><![CDATA[Locke, R. P.]]></dc:creator>
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<dc:title><![CDATA[Unacknowledged Exoticism in Debussy: The Incidental Music for Le martyre de saint Sebastien (1911)]]></dc:title>
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<title><![CDATA[Debussy's Rapsodie pour orchestre et saxophone Revisited]]></title>
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<dc:creator><![CDATA[Noyes, J. R.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/musqtl/gdn020</dc:identifier>
<dc:title><![CDATA[Debussy's Rapsodie pour orchestre et saxophone Revisited]]></dc:title>
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<title><![CDATA[Death and the Donkey: Schubert at Random in Au Hasard, Balthazar]]></title>
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<dc:title><![CDATA[Death and the Donkey: Schubert at Random in Au Hasard, Balthazar]]></dc:title>
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<title><![CDATA[The Berlin Judischer Kulturbund and the "After-Life" of Franz Schubert: Musical Appropriation and Identity Politics in Nazi Germany]]></title>
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<dc:title><![CDATA[The Berlin Judischer Kulturbund and the "After-Life" of Franz Schubert: Musical Appropriation and Identity Politics in Nazi Germany]]></dc:title>
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<title><![CDATA[Anneliese Landau and the Kulturbund: In Her Own Words]]></title>
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<dc:title><![CDATA[Anneliese Landau and the Kulturbund: In Her Own Words]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>90</prism:volume>
<prism:endingPage>520</prism:endingPage>
<prism:publicationDate>2007-09-01</prism:publicationDate>
<prism:startingPage>508</prism:startingPage>
<prism:section>The Twentieth Century and Beyond</prism:section>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/90/3-4/521?rss=1">
<title><![CDATA[More on Displacement in Stravinsky: A Response to van den Toorn]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/90/3-4/521?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Traut, D.]]></dc:creator>
<dc:date>2008-12-30</dc:date>
<dc:identifier>info:doi/10.1093/musqtl/gdn014</dc:identifier>
<dc:title><![CDATA[More on Displacement in Stravinsky: A Response to van den Toorn]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>90</prism:volume>
<prism:endingPage>535</prism:endingPage>
<prism:publicationDate>2007-09-01</prism:publicationDate>
<prism:startingPage>521</prism:startingPage>
<prism:section>The Twentieth Century and Beyond</prism:section>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/90/3-4/536?rss=1">
<title><![CDATA[Still More on Displacement]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/90/3-4/536?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[van den Toorn, P. C.]]></dc:creator>
<dc:date>2008-12-30</dc:date>
<dc:identifier>info:doi/10.1093/musqtl/gdn013</dc:identifier>
<dc:title><![CDATA[Still More on Displacement]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>90</prism:volume>
<prism:endingPage>538</prism:endingPage>
<prism:publicationDate>2007-09-01</prism:publicationDate>
<prism:startingPage>536</prism:startingPage>
<prism:section>The Twentieth Century and Beyond</prism:section>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/90/3-4/539?rss=1">
<title><![CDATA[Organizing Labor: Composers, Performers, and "the Renewal of Musical Practice" in the Netherlands, 1969-72]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/90/3-4/539?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Adlington, R.]]></dc:creator>
<dc:date>2008-12-30</dc:date>
<dc:identifier>info:doi/10.1093/musqtl/gdn015</dc:identifier>
<dc:title><![CDATA[Organizing Labor: Composers, Performers, and "the Renewal of Musical Practice" in the Netherlands, 1969-72]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>90</prism:volume>
<prism:endingPage>577</prism:endingPage>
<prism:publicationDate>2007-09-01</prism:publicationDate>
<prism:startingPage>539</prism:startingPage>
<prism:section>Institutions, Technology, and Economics</prism:section>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/90/3-4/578?rss=1">
<title><![CDATA[Skeptics and Believers: Music, Warfare, and the Political Decline of Renaissance Italy according to Francesco Bocchi]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/90/3-4/578?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Gerbino, G.]]></dc:creator>
<dc:date>2008-12-30</dc:date>
<dc:identifier>info:doi/10.1093/musqtl/gdn019</dc:identifier>
<dc:title><![CDATA[Skeptics and Believers: Music, Warfare, and the Political Decline of Renaissance Italy according to Francesco Bocchi]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>90</prism:volume>
<prism:endingPage>603</prism:endingPage>
<prism:publicationDate>2007-09-01</prism:publicationDate>
<prism:startingPage>578</prism:startingPage>
<prism:section>Texts and Contents</prism:section>
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