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<title><![CDATA[Henry VIII's Book: Teaching Music to Royal Children]]></title>
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<dc:title><![CDATA[In Search of Quality: George Colburn, George Kleine, and the Film Score for Antony and Cleopatra (1914)]]></dc:title>
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<title><![CDATA[Stylistic Reconstructions in Liszt's Late Arrangements]]></title>
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<dc:title><![CDATA[Stylistic Reconstructions in Liszt's Late Arrangements]]></dc:title>
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<dc:title><![CDATA[The Origins of the Musical Staff]]></dc:title>
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<title><![CDATA[Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934]]></title>
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<title><![CDATA["It's Not Lambkins Frisking At All": English Pastoral Music and the Great War]]></title>
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</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/91/1-2/89?rss=1">
<title><![CDATA[The Parataxis of "British Musical Modernism"]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/91/1-2/89?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Doctor, J.]]></dc:creator>
<dc:date>Thu, 26 Feb 2009 04:10:10 PST</dc:date>
<dc:identifier>info:doi/10.1093/musqtl/gdn031</dc:identifier>
<dc:title><![CDATA[The Parataxis of "British Musical Modernism"]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1-2</prism:number>
<prism:volume>91</prism:volume>
<prism:endingPage>115</prism:endingPage>
<prism:publicationDate>2008-03-01</prism:publicationDate>
<prism:startingPage>89</prism:startingPage>
<prism:section>British Modernism</prism:section>
</item>

<item rdf:about="http://mq.oxfordjournals.org/cgi/content/short/91/1-2/116?rss=1">
<title><![CDATA[Music, Ice, and the "Geometry of Fear": The Landscapes of Vaughan Williams's Sinfonia Antartica]]></title>
<link>http://mq.oxfordjournals.org/cgi/content/short/91/1-2/116?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Grimley, D. M.]]></dc:creator>
<dc:date>Thu, 26 Feb 2009 04:10:10 PST</dc:date>
<dc:identifier>info:doi/10.1093/musqtl/gdn027</dc:identifier>
<dc:title><![CDATA[Music, Ice, and the "Geometry of Fear": The Landscapes of Vaughan Williams's Sinfonia Antartica]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1-2</prism:number>
<prism:volume>91</prism:volume>
<prism:endingPage>150</prism:endingPage>
<prism:publicationDate>2008-03-01</prism:publicationDate>
<prism:startingPage>116</prism:startingPage>
<prism:section>British Modernism</prism:section>
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